Blog

The Liveness of a Recording: Reflecting on Hybrid Theatre

Redefining the space for performance: Layers of hybridity and exchange in digital theatre

Online Theatre in the Time of Covid With Implications for the Future of Live Performance

Review of 'All That' at the King's Head Theatre

Review of 'Changing Destiny' at Young Vic Theatre

Review of Kevin Elyotand’s 'My Night With Reg' at The Turbine Theatre

Review of Hampstead Theatre's Revival of The Two Character Play by Tennessee Williams

Review of The Play That Goes Wrong at the Duchess Theatre

Review of 'Lava' by Benedict Lombe at The Bush Theatre

Review of "Final Farewell" at The Tara Theatre

Review of Ayad Akhtar's "The Invisible Hand" at The Kiln Theatre

Review of Tom Ryalls' Can You See Into A Black Hole at Iris Theatre

Review of Charles Dyer's 'Staircase' by Two's Company at the Southwark Playhouse

Review of 'seven methods of killing kylie jenner' at The Royal Court Theatre

Review of 'Happy Days' at the Riverside Studios

Review of 'Scaramouche Jones or the Seven White Masks' at the Wilton Music Hall

Review of 'Psychodrama' by Matt Wilkinson at Never For Ever, Kentish Town

Review of 'Theatre for Two' by We Are Kilter

Review of 'The Death of a Black Man' at the Hampstead Theatre

Review of 'The Money' at London County Hall